Nostalgia Review: Psychonauts

I recently finished a playthrough of Double Fine’s Psychonauts as one of my many LawfulGeek Plays series. In doing so, I had to confront my memories of the game and see it without Nostalgia Goggles. Does it hold up?
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Episodic Nightmare – The worrying trends of Episodic Gaming

Over the past couple of years, along with the rise of crowdfunding I’ve seen another trend emerge in gaming, one that will slowly reach the same level of shenanigans: Episoding Gaming. Episodic Games come in seasons, their story split into multiple chapters with their own price tag and of course the usual season pass, and over the course of potentially many years.

It used to be that episodic games were the domain of independent developers, those struggling to make enough money to meet development costs. The episodic nature would let them earn money on small bits of the game while they work on others. It also helps them by splitting the development into defined chunks, something useful I believe when they’re juggling day jobs with the game development responsibilities.

But while that is still somewhat true, there is a growing trend of full-time and highly successful game studios releasing games in the episodic format as well. Some have done it for ages and see no need to change now, as the business models suits them best, knowing how to take advantage of new episode releases to boost sales. Others use “episodic” as an excuse to cover up a delayed development and some just want to milk the trend as much as they can. Then there are the episodic titles released by major publishers, those that have no need for this type of content save for feeding the marketing fires. This last one has another side effect that I hope doesn’t become a common occurrence: releasing full games as episodic, splitting it up haphazardly in “post-production.” Continue reading Episodic Nightmare – The worrying trends of Episodic Gaming

Crowdfunding Shenanigans – The Double Fine Case

In the gaming industry, perhaps more than any other, Crowdfunding has become commonplace. Every week, if not every day, we hear of a new project on Kickstarter, Indiegogo or any other platform for anything from a point & click adventure game to a full-blown MMO.

Yet I’m curious when I see developers returning to crowdfunding platforms after incredibly successful games and campaigns. Particular among those, and the reason I thought of this piece, is Tim Schafer and Double Fine. My concern is this: when does crowdfunding stop being a necessity and becomes a sleazy easy-money scheme? Continue reading Crowdfunding Shenanigans – The Double Fine Case