Over the past decade I’ve lost count of the number of RPGs I’ve played, both from western and Japanese developers. I’ve saved countless worlds and faced down a myriad of gods, and though my love for the genre has not changed, there is one aspect of these titles I’ve come to loathe: romance. Continue reading Seething Hatred – Videogame Romances
Twinned Reviews: Solo & Monster Prom
Well, what do you know? Another one of these. What can I say? Got games to review and these two, Solo and Monster Prom, are way past embargo, just taken me a while to get to them. Now that I have…well, we’ll get to them! Continue reading Twinned Reviews: Solo & Monster Prom
Beautiful Stories – Shigatsu wa Kimi no Uso
I’m a sucker for romance. I’m not ashamed to say it. I’m a romantic at heart and I have a thing for romance stories, but they have to be good ones. Trashy romance novels with shirtless men on the cover won’t interest me for even a minute, nor do I enjoy those forced, obsessive and frankly insane romance stories Stephanie Meyer spawned into the world.
But you give me a good romance, one that feels natural and organic, and you’ll hook me. Continue reading Beautiful Stories – Shigatsu wa Kimi no Uso
Annoying Games Mechanics – Companions & Romance
It’s been a while, hasn’t it, since a game mechanic has bothered me so much that I had to unpack the Annoying Game Mechanics section of The Mental Attic for a nice rant. But as I’ve been streaming and recording Let’s Plays in the past few months, and perhaps because of my choice of games, there are two that have really gotten on my nerves.
As with every Annoying Game Mechanic in the past, this is a mechanic that when done right it’s awesome but when done improperly it just makes you groan. A friend once said that the definition applies to all mechanics, and he might be right, but some mechanics are always awesome and others are always bad. Those in the middle, I call them annoying.
But let’s get down to business. The mechanics I’m bothered about right now are Companions and Romance. Yes, since it’s been a while and these two are connected, I’ve decided to go for a twofer. But it’s going to work a bit differently. I’m not gonna go into multiple examples, just a couple for each and explain why they’re good or bad.
You might wonder: is Romance a mechanic, or is it part of the narrative? In most cases I’d say narrative, just an element of the storytelling, to connect two or more characters together, to give us something to care about. But when the relationship is quantified, when the attraction and the closeness and intimacy have defined values that you can alter with items or a choice in a conversation, then it becomes a mechanic.
The problem with Romance as a mechanic is that as I mentioned in last week’s Writing a Novel guide, one of the pitfalls of the romance genre is the lack of characterisation on the couples. You have characters with barely any personality and you expect the players to feel love for them. Or maybe they’re bland and live and breathe by your words and your gifts. How can that mechanic be satisfactory? How can it convey the beauty that is human relations or the heartbreak of a love lost when it’s so artificial? You fall in love with people who challenge you, who make you realise the stupid things you think or say, the ones you tell yourself or told to you by others. You fall in love with people who make you change for the better, who make you question the things you just accepted so you form your own conclusions. You fall in love with those that force you to face your fears head on, because just being with them brings out the courage you thought you never had.
One of the best romances in games for me has always been Revan and Bastila in Knights of the Old Republic. Your character is a blank slate, but you give him the personality with every choice you make. You embody him and he becomes a well-rounded character. Bastila on the other hand has a defined personality, she’s haughty and proud but it’s all a front for doubts and impossible burdens placed on her. She’s vulnerable and that makes it hard for her to connect. And it’s not through gifts that you connect with her, or a simple choice of “let’s do this,” but something gradual, through hundreds of conversations. You talk to her about her worries, about her values, you get to know her fully before you pass that romance checkpoint, so when you do get to that place it feels more natural, because you got there through the gaming equivalent of pure human contact.
The worst romances on the other hand are in Dragon Age origins and Jade Empire, two Bioware games released after Knights of the Old Republic. Each has one of the sins and rides it into the sunset. Dragon Age Origins lets you buy affection with gifts and you can skip the human contact of dozens of conversations by just showering your would-be partner with lavish gifts. It doesn’t feel like a romance, more like a business transaction that ends in an intimate moment.
Jade Empire on the other hand suffers from bland characters, women and men with almost no personality. They rarely have their own opinions and some even state yours is all that matters to them. They don’t feel human even if the most basic of ways: thought. How can you connect with them then, how can you connect to a doll or a puppet? Jade Empire romantic interests have no soul.
Companions are a part of a game that goes beyond the narrative and extends to the gameplay itself. A companion is a supporting character, someone there to help you fight or to give out clues on how to solve a certain puzzle. You might have a single companion or you might have a few of them trailing behind you. Sometimes you can play as the companions, choosing their abilities in battle or just making them your main character for a while.
Companions have their own mechanics associated to them. They have underlying systems controlling their behaviour, abilities and even power levels. Sometimes you can talk to them and find out more about them, even romance them if you give gifts or engage them in meaningful ways. Sometimes you can raise your connection or affinity to them to unlock personal quests or just more bonuses in battle.
Good Companion mechanics are those where the party NPCs don’t get in your way, or their AI is good enough they fight battles as well or even better than you would. Knights of the Old Republic, as fun as it, is has horrible companions in this regard. They’ll often get lost on the way, walking or running slower than you do, making you waste precious time because you can’t exit a room unless your party is all there. In combat they rush their enemies even if they’re ranged characters and unless you take the time—which you often have to—to select their abilities, they won’t use their powers or weapons effectively. Force using characters are worse at this, missing out on disabling enemies because their AI just goes for Saber Flurry.
Dragon Age: Origins (and only Origins) companions are fantastic. They react to your attacks, often creating combos that you might not be aware of, or setting those up for you if you have the right spells. Through their automated example you learn how to create proper strategies when fighting most enemy types.
Jade Empire, despite its wooden romances, has an interesting take on companions, as you can set them to offense and support. In offensive mode, they attack enemies just as you, often taking some of the heat off your back and giving you a chance to take out enemies one by one. In support though, they sit around in a meditative pose and give you a passive bonus, though those are quite unbalanced to be honest. Only Dawn Star is of particular use, as she can restore your Chi—read Mana.
Companions and Romance often go hand in hand, especially in Bioware, they can’t NOT do romance and companions—and it’s why I used them for my examples and not others. It’s their signature and people expect it, though I wish all their games had the depth of humanity that the Knights of the Old Republic romances had. But sometimes you get games were companions and the romance are independent of one another, where the affection is left to the narrative. Xenoblade Chronicles fall into this category, where the companions’ feelings towards one another are part of the script. Their affinity with you only determines mechanical benefits, but there is no pursuit of romance, and it’s better that way to be honest. I’d rather have my character pick their partner because it’s part of the script, than have to romance a character with no soul.
But what do you think about companions and the mechanics of love in video games? Do you have memories of a truly human connection in a game, or do you ignore them because they’re pointless and artificial? How about just companions, do you have any thoughts on those? I skimmed on examples this time just to rant a bit more, but I’m keen to hear other examples of good and bad!
Let me know in the comments!
Writing a Novel – Emotional Impact
One of the hardest things writers have to do is engage the reader, make them feel as if the world they’re exploring through your words is their world, so they become invested in the characters’ fate and feel their joy, happiness and sadness. I have read works where a single chapter made me cry and gone through clumsy novels where the authors try their best to make me sad by piling on the misery but l just don’t care.
Continue reading Writing a Novel – Emotional Impact
The Online Dating Game
A lot of my posts recently seem to be written after I’ve just read something in the newspaper that catches my attention, so here’s another one for you. Whilst on the train travelling to work recently I came across an article under the heading: ‘End of the chat-up line as dating game heads online’. Continue reading The Online Dating Game