I recently finished Jade Empire, one of the Bioware’s many big scale RPGs. It’s set in a fictionalised version of China, with rampaging spirits, demons and assassins. After going through it on a complete Let’s Play, I found my opinions of the game changing. As I took the nostalgia goggles off and saw the game for what it really was, I kept finding more flaws in it, more issues that annoyed me. Some were mechanical, such as the ridiculous amount of unnecessary and functionally identical marital arts style—with the odd nonsensical monster transformation style—and the combat system that never lets you create a single combo as your strikes push enemies beyond your reach.
But the one thing I have the most issues with is the storytelling, the writing in Jade Empire. I know it’s one of Bioware’s early RPGs, but it came after Knights of the Old Republic, a game that while still having its clumsy moments has tight writing overall. So I can’t just wave these issues away because of Jade Empire’s age. Continue reading Dropping the Pen – The Storytelling Flaws of Jade Empire
It’s been a while, hasn’t it, since a game mechanic has bothered me so much that I had to unpack the Annoying Game Mechanics section of The Mental Attic for a nice rant. But as I’ve been streaming and recording Let’s Plays in the past few months, and perhaps because of my choice of games, there are two that have really gotten on my nerves.
As with every Annoying Game Mechanic in the past, this is a mechanic that when done right it’s awesome but when done improperly it just makes you groan. A friend once said that the definition applies to all mechanics, and he might be right, but some mechanics are always awesome and others are always bad. Those in the middle, I call them annoying.
But let’s get down to business. The mechanics I’m bothered about right now are Companions and Romance. Yes, since it’s been a while and these two are connected, I’ve decided to go for a twofer. But it’s going to work a bit differently. I’m not gonna go into multiple examples, just a couple for each and explain why they’re good or bad.
You might wonder: is Romance a mechanic, or is it part of the narrative? In most cases I’d say narrative, just an element of the storytelling, to connect two or more characters together, to give us something to care about. But when the relationship is quantified, when the attraction and the closeness and intimacy have defined values that you can alter with items or a choice in a conversation, then it becomes a mechanic.
The problem with Romance as a mechanic is that as I mentioned in last week’s Writing a Novel guide, one of the pitfalls of the romance genre is the lack of characterisation on the couples. You have characters with barely any personality and you expect the players to feel love for them. Or maybe they’re bland and live and breathe by your words and your gifts. How can that mechanic be satisfactory? How can it convey the beauty that is human relations or the heartbreak of a love lost when it’s so artificial? You fall in love with people who challenge you, who make you realise the stupid things you think or say, the ones you tell yourself or told to you by others. You fall in love with people who make you change for the better, who make you question the things you just accepted so you form your own conclusions. You fall in love with those that force you to face your fears head on, because just being with them brings out the courage you thought you never had.
One of the best romances in games for me has always been Revan and Bastila in Knights of the Old Republic. Your character is a blank slate, but you give him the personality with every choice you make. You embody him and he becomes a well-rounded character. Bastila on the other hand has a defined personality, she’s haughty and proud but it’s all a front for doubts and impossible burdens placed on her. She’s vulnerable and that makes it hard for her to connect. And it’s not through gifts that you connect with her, or a simple choice of “let’s do this,” but something gradual, through hundreds of conversations. You talk to her about her worries, about her values, you get to know her fully before you pass that romance checkpoint, so when you do get to that place it feels more natural, because you got there through the gaming equivalent of pure human contact.
The worst romances on the other hand are in Dragon Age origins and Jade Empire, two Bioware games released after Knights of the Old Republic. Each has one of the sins and rides it into the sunset. Dragon Age Origins lets you buy affection with gifts and you can skip the human contact of dozens of conversations by just showering your would-be partner with lavish gifts. It doesn’t feel like a romance, more like a business transaction that ends in an intimate moment.
Jade Empire on the other hand suffers from bland characters, women and men with almost no personality. They rarely have their own opinions and some even state yours is all that matters to them. They don’t feel human even if the most basic of ways: thought. How can you connect with them then, how can you connect to a doll or a puppet? Jade Empire romantic interests have no soul.
Companions are a part of a game that goes beyond the narrative and extends to the gameplay itself. A companion is a supporting character, someone there to help you fight or to give out clues on how to solve a certain puzzle. You might have a single companion or you might have a few of them trailing behind you. Sometimes you can play as the companions, choosing their abilities in battle or just making them your main character for a while.
Companions have their own mechanics associated to them. They have underlying systems controlling their behaviour, abilities and even power levels. Sometimes you can talk to them and find out more about them, even romance them if you give gifts or engage them in meaningful ways. Sometimes you can raise your connection or affinity to them to unlock personal quests or just more bonuses in battle.
Good Companion mechanics are those where the party NPCs don’t get in your way, or their AI is good enough they fight battles as well or even better than you would. Knights of the Old Republic, as fun as it, is has horrible companions in this regard. They’ll often get lost on the way, walking or running slower than you do, making you waste precious time because you can’t exit a room unless your party is all there. In combat they rush their enemies even if they’re ranged characters and unless you take the time—which you often have to—to select their abilities, they won’t use their powers or weapons effectively. Force using characters are worse at this, missing out on disabling enemies because their AI just goes for Saber Flurry.
Dragon Age: Origins (and only Origins) companions are fantastic. They react to your attacks, often creating combos that you might not be aware of, or setting those up for you if you have the right spells. Through their automated example you learn how to create proper strategies when fighting most enemy types.
Jade Empire, despite its wooden romances, has an interesting take on companions, as you can set them to offense and support. In offensive mode, they attack enemies just as you, often taking some of the heat off your back and giving you a chance to take out enemies one by one. In support though, they sit around in a meditative pose and give you a passive bonus, though those are quite unbalanced to be honest. Only Dawn Star is of particular use, as she can restore your Chi—read Mana.
Companions and Romance often go hand in hand, especially in Bioware, they can’t NOT do romance and companions—and it’s why I used them for my examples and not others. It’s their signature and people expect it, though I wish all their games had the depth of humanity that the Knights of the Old Republic romances had. But sometimes you get games were companions and the romance are independent of one another, where the affection is left to the narrative. Xenoblade Chronicles fall into this category, where the companions’ feelings towards one another are part of the script. Their affinity with you only determines mechanical benefits, but there is no pursuit of romance, and it’s better that way to be honest. I’d rather have my character pick their partner because it’s part of the script, than have to romance a character with no soul.
But what do you think about companions and the mechanics of love in video games? Do you have memories of a truly human connection in a game, or do you ignore them because they’re pointless and artificial? How about just companions, do you have any thoughts on those? I skimmed on examples this time just to rant a bit more, but I’m keen to hear other examples of good and bad!
Carry on my wayward son, there’ll be peace when you are gone. Lay your weary head to rest, don’t you cry no more…
Someday I’ll turn these articles into awesome highlight videos with that song playing in the background, similar to Supernatural season finales. But as my editing skills more than suck, I’ll just write it all down.
A couple of weeks ago I resumed the Let’s Play of Jade Empire I’d started months ago. I picked the game up right where I left it, after the destruction of the Two Rivers School, hot on the trail for Master Li and Death’s Hand, the Emperor’s main enforcer and the leader of the Lotus Assassins. First I hit Tien’s Landing and took care of a lover’s quarrel between a man and an old friend, then went on to get our passage to the Imperial Capital. This I did by cleansing a forest from corruption, meeting a minor Deity and her Elephant-man bodyguard, beating down an entire Pirate clan and fighting our way through hundreds of spirits and assassins. You know, the usual stuff.
At the Capital, there were lots of things to do, but only did the Black Leopard school, finding a surprisingly charismatic and not totally demented evil teacher in there. If you see the video, you’ll notice my surprise when that happens, as just then I was commenting on how all evil guys in this game were totally predictable.
This week you’ll see more of the Imperial Capital, including a cameo from a certain very famous member of Monty Python. It’ll be a blast.
I’ve had a few things I’ve liked so far, and others I’m not a fan of, and you can consider The Road so Far a mini-review that I’ll build on over the course of this Let’s Play:
It looks beautiful, even for its time. The settlements have tons of details, particularly the Imperial City with its gardens and fountains, and the waterways coursing along the streets. I love how ghosts look, how you can see through them, the ‘veins’ in them.
It has an interesting cosmology that combines primordial spirits, the balance of the universe and the Chinese Pantheon, The Celestial Bureaucracy aka Tai Di.
The over-the-top names for everyone, from Sagacious Zu to Sun Li The Glorious Strategist. It reminds me a lot Legend of the Five Rings.
The women in this game have no self-respect, no self-esteem and no self-anything. They all instantly fawn over a pretty word. Dawn Star is the worst, she has no notion of self-worth beyond what you tell her and she even says so. It’s painful to say the least.
I know that writing cryptic characters is difficult, but there is a very definite line between cryptic and obtuse. Most major characters in Jade Empire are just obtuse, refusing to give any information. It’s not even thinly veiled, or with any misdirection. It’s fairly obvious what they mean if you just pay attention.
There are dozens of martial arts styles…and most of them are useless. From the transformations—that don’t make much sense—to the couple dozen hidden styles and scroll-fetch-quest ones, you’ll probably ignore most of them and just upgrade the core two skills: Leaping Tiger and your weapon of choice.
Combat is a constant catch-up thing. Every combo pushes your opponents out of your reach, breaking up your rhythm and the flow of battle and forcing you to get close to them again.
A follow-up, combat is shallow. You can beat every enemy by just mashing buttons. Dodging is almost pointless and I only use it to get behind enemies, not that it has any effect on them, they turn around immediately.
As the Let’s Play continues, I’m sure I’ll think of more good and bad things about it, or change my mind about a few of them.
If you haven’t seen any episodes, check out the videos on this post and don’t forget to keep an eye out for The Mental Attic’s YouTube channel, for new episodes at 9:30am GMT, Mondays to Fridays!
Last week we kicked off a new era of content on YouTube. We went back to Jade Empire, to continue my Open Palm playthrough, acting as yet another gullible, innocent sap to get enough points for the game’s “Light Side.” It’s a pretty fun game. The first episode was a longer one, cut directly from a Twitch broadcast, and with no commentary since I forgot to turn on the mic…I do that sometimes. Continue reading New YouTube Stuff Incoming!!